How Not to be a Ghost

They gave him a piece of broiled fish, and he took it and ate in their presence.

It’s much more possible to be ghostlike right now than at any other previous time in human history.  Being a ghost doesn’t mean being without an image, or not being in people’s presence.  The disciples saw Jesus when he suddenly appeared in their midst, but they still thought he was a ghost.  Being a ghost means being insubstantial, somehow lacking the fundamental reality of a physical being.  And that is something that we contemporary Americans are managing to do brilliantly.

This past week, The Atlantic ran an article entitled Is Facebook Making Us Lonely?  Stephen Marche, the author, points out the ways in which we use social media in order to become less substantial.  Most people create a persona for themselves on Facebook, Twitter, and other social media.  We spend a lot of time trying to be clever and showing that we’re happy.  Happiness is, in fact, the prevailing ethic of these media – they are places where we go to impress our friends and relations, where we post our best pictures or best thoughts, where we walk around with our heads held high.  There is something of a high school atmosphere to Facebook.  We may cry in the bathroom, but we always walk through the cafeteria with our defenses up.  Facebook is the high school cafeteria of our lives.

But study after study shows that these claims to happiness don’t actually make us happy.  They make us lonely.  35% percent of adults over the age of forty-five are chronically lonely.  Twenty-seven percent of American households have just one person in them.  Some of these people may be rejoicing in their solitude, but the truth is that there are fewer and fewer places for them to go for companionship.  American club life is in decline, as any member of the Lions or Elks can tell you.  American church life is also in decline.  The opportunities for people to form long-term, quality relationships with each other are decreasing.  We hoped that social media could be used as a replacement for these relationships.  But as Marche points out:

What Facebook has revealed about human nature—and this is not a minor revelation—is that a connection is not the same thing as a bond, and that instant and total connection is no salvation, no ticket to a happier, better world or a more liberated version of humanity.

There is one very interesting fact about religion included in Marche’s article.  Only some of the people who believe in God are less lonely – those people who know God to be helpful and abstract.  Those who saw God as an immediate and wrathful presence weren’t any less lonely, and I think this is because such a vision makes God into little less than a Big Brother figure, always weighing our actions and telling us that we don’t measure up.  Feeling judged is a very lonely thing.  But I don’t think that we should view God as abstract.  My guess is that the study that Marche is referencing (a German study) didn’t differentiate between people who believed in God and people who actually went to church.  The vast majority of Americans believe in God, but they’re not in church every Sunday.  A far fewer number of Germans believe in God, and even fewer of them go to church.  And this is not a small point to make.  Believing in God without going to church limits one’s faith.

Church is a place where we go to meet a God who isn’t abstract at all, but is real, fleshy, and as present to us as the person sitting near us in the pews.  Church is where we go to meet a God who can eat fish and digest it – Jesus made flesh, Jesus who isn’t a ghost.  And Jesus who isn’t just on Facebook.  Not an image of Jesus, not a presentation of Jesus, not a profile of Jesus or a timeline of Jesus, but Jesus himself, in the flesh.  Jesus is at church because Christians are at church.  As Teresa of Avila wrote

Christ has no body but yours,
No hands, no feet on earth but yours,
Yours are the eyes with which he looks
Compassion on this world,
Yours are the feet with which he walks to do good,
Yours are the hands, with which he blesses all the world.
Yours are the hands, yours are the feet,
Yours are the eyes, you are his body.
Christ has no body now but yours,
No hands, no feet on earth but yours,
Yours are the eyes with which he looks
compassion on this world.
Christ has no body now on earth but yours.

When we are Jesus to each other, we give each other a gift.  We choose to be something more than Facebook friends.  We allow each other to show the real pain in our lives.  And we allow each other to show the real joy.  Because we’ve moved beyond presentation.  We’re not ghosts anymore.  We’re face to face with each other, real to each other, able to sit and eat together, able to give each other our time and our true selves.  We’ve proven our reality to each other, just as Jesus proved his reality to the disciples.  We’ve learned how not to be ghosts.

Lazarus Illustration

Here’s an illustration of Lazarus coming out of the tomb that I did for Holy Week.  It has what I can only describe as the Dante problem, i.e. hell seems more dramatic and interesting than the heaven that Lazarus is moving towards.  The two suffering souls are borrowed from Gustave Dore, so I guess you could say that the other problem with hell is that it’s derivative.  If I redraw it or paint it, I think I’ll change hell to a much drabber, impersonal place.

Joanna

On the day before the Passover, Joanna goes to the house of her friend Salome, the wife of Saphat.  She stands by herself in the antechamber as the servants go to announce her.  Light falls through the high slit of a window and lays flat against the grainy stone of the wall.  She can hear the clamor of the house as the servants prepare for the Passover feast, and her mind is taken back to her own house in Tiberias, which she abandoned long ago so that she could follow Jesus.  The antechamber of that house was bigger than this one.  There was a fountain in the inner courtyard, and her gardener had planted beds of flowers and trailing vines.  She closes her eyes and sees the sunlight playing off of red petals.  Her room was above the courtyard, had looked down on it.  She gave birth three times in that room.  Each time she had lain, exhausted in soaked sheets, her body still feeling the aftershocks of labor, and waited to hear the baby cry.  But no baby’s cry ever came to her.  Each time the baby had died.  She was sure that it was because she had tried to give birth in Tiberias, a city that had been built on a graveyard, a city that was unclean.  Somehow the uncleanliness had crept inside of her and murdered her babies in her womb.

Clopas, her husband, died soon after her last attempt to give birth.  This was in the time of John the Baptist, and many of the more devout people in King Herod’s court had gone south to Perea, to where John was baptizing people beside the River Jordan.  Joanna went, and Salome went with her.  Salome had always been her friend.  They prayed together and kept the holy days together.  They sat together at King Herod’s banquets, ate the same rich foods, reclined against the same lavishly embroidered pillows.  They had conveyed to each other, through looks and subtle glances, that they shared a common disdain for Herod and his Roman ways.  When they returned from visiting the Baptist beside the River Jordan, Herod questioned them.  There was something greedy in his eyes, and Joanna thought, “He feels it, too.  That this life we live, here in his palace, is meandering and pointless, and that there’s no pleasure in our feasts and banquets.  He wants a change, the same as I do.  Only he won’t admit it.”  She didn’t tell him what it had felt like, to be beside the Jordan River with John.  She didn’t tell him that she had gone there to repent, and had gone down into the water, feeling her repentance, and had come up, resolved to avoid the luxury and deadened banquets of the court.

Salome comes into the antechamber and wakes Joanna from her reverie.  Her arms are open to her friend.  “Joanna,” she says, “Joanna, I never thought to see you again.”  Joanna breathes in the scent of Salome’s perfume and the cleanness of her body.  It seems to flow over the odor of Joanna’s own unwashed skin, and the smell of nard that has been following her around for days.   The nard reminds her of why she is here, and she steps back from her friend’s embrace and holds her at arms length and says, “Salome, you know everything.  Can you tell me where they have taken Jesus of Nazareth?”

The smile fades from Salome’s eyes, and she looks away, taking a moment to restore herself.  Then she smiles again, but the quality of her expression is different, no longer jubilant or excited, but pitying.  “The last I heard was last night, before I went to sleep,” she says.  “I was told that Pilate sent him to Herod.”

“Salome, do you know what will become of him?”

The look of pity deepens in Salome’s eyes.  “The Sanhedrin has condemned him to death.”

Joanna takes a long, shuddering breath and reaches out a hand to the wall for support.  She steadies herself, breathing shallowly, then murmurs, “Thank you.  Thank you, Salome,” and turns to go.

“Joanna,” Salome says, “won’t you stay here with me?  What reason do you have to go back to those people?”

Joanna turns and looks at her.  “Those people?” she says slowly.  And she sees the faces of Peter, Mary, Philip, and the others.  “Those people are my brothers and sisters.”

She turns and goes.  Salome should know, she thinks.  Salome should know what the disciples are.  It was because of Salome that she first heard of Jesus.  She was staying in Capernaum, where Saphat was the caretaker of Herod’s estates.  Salome and Saphat’s eldest child was sick.  Salome sat in the child’s room, holding his feverish hand, and Joanna sat beside her.  Light drained from the walls as the sun set and the long night came, the servants bringing in candles and bowls of cool water.  Salome soaked the cloths and pressed them against the boy’s forehead.  The boy took small, shuddering breaths.  In the middle of the night, Saphat’s large, dense shadow loomed in the doorway, and then he went away again.  In the morning, the servants whispered that the child, wracked with fever, was certainly going to die.  Salome’s face had become strained, her skin papery with tiredness.  People brought in food and tried to give it to her, but she wouldn’t eat.  Joanna sat beside her, saying nothing, and from time to time Salome raised her anguished eyes to Joanna’s face.  And then, when the sun had passed its zenith, the fever left the boy, and he began to breath easily and fell into a deep sleep.  Saphat returned in the evening and told them that he had gone to Cana, to see a healer named Jesus, and that Jesus had told him that the boy would live.  He had told him this a little after noon, just before the fever had broken.  Salome said nothing.  She was taken to her room and put to bed.  But Joanna questioned Saphat.  She made him tell her everything he knew about this healer, this Jesus, who had healed the boy at a distance, with only a word.  And in the evening she had summoned her servants and put on her traveling clothes and gone to see for herself.

Now she steps outside into the sunlight of the busy street and finds Martha and Mary waiting for her.  Martha’s face is lined with worry.  “Well,” she asks, so Joanna tells her.  She looks at Mary as she talks.  Mary is still youthful, even childlike.  The warm sun is touching her face, and for a moment Joanna is annoyed by her innocence, and envious.  She would like a smooth face that nothing can darken.  But it is because of Mary’s innocence, because of the fact that, even now, she seems full of light and hope, that Joanna loves her.  ‘She’s like my daughter,’ she thinks, and she feels keen, possessive love.  ‘Nothing can happen to her,’ she thinks, and then directs the thought to God.  ‘Let nothing evil happen to her.  Whatever evil there may be, let it fall on me.’  She knows that it is a false prayer.  That God doesn’t send evil.  Men do evil.  Men like Herod and Pilate.  But she also wonders whether it is Jesus’s prayer, if it was because of this prayer that he went so willingly when they came to arrest him.

“We should go,” Martha says.

“Go where?”

“To Herod.  If that’s where he is, we should go there.  Where does Herod stay, when he’s in Jerusalem?”

He stayed in a palatial villa outside of the walls.  She leads Martha and Mary through the crowded streets, remembering the turns and twists of the way.  But they see Philip before they’ve gone very far.  He’s hiding in the shadows of a fish vendor’s canopy, and he calls out to them in a hissing voice.  Mary runs to him and takes his hands, and he seems startled that she should want to touch him.  “Where are you going?” he asks them, and when they tell him he shakes his head.  “It’s no use.  Herod sent him back to Pilate.  He is to go to Golgotha, to be crucified.  He is probably going there now.”

“Why aren’t you with him?” Mary asks, and Joanna loves her for it.  Her innocence makes her unafraid.  Mary has known hardships and sorrows.  She has been poor.  She has watched her brother die.  Yet she still thinks that the world makes sense and that the right action should be clear.  It’s because of this that Joanna gave her the nard.

She had already given all of her income to the disciples, to support Jesus as he wandered from place to place, to make sure that there was food and, sometimes, lodging.  When she first saw Jesus, teaching in Cana, she had been shocked by his beauty and by the fact that he was surrounded by rough people.  Their smell had been overwhelming.  Many of them were ugly, their faces marked by scars and boils, their hair lank and unscented, their clothes stiff with dirt, sometimes with the viscera of their trades, the guts of fish, the scrapings from tanners hides, always with the stain of grease from old meals.  But Joanna wasn’t with Jesus for very long before she came to see these people in the way that he saw them.  He didn’t seem to be aware of poverty, or ugliness.  He saw straight through those things, and their pocked, deformed faces were beloved to him.  They became beloved to Joanna, too.  Philip’s lank hair.  Andrew’s weedy beard.  Mary of Magdala’s juddering step and the strange tick in her cheek.  Joanna felt that a day was loss when she didn’t have these people around her, and Jesus’s voice speaking in her ear.

When they came to Bethany, she met Mary and Martha and Lazarus, and she allowed herself a small, foolish fantasy.  These were her children, she told herself, her three babies, grown up and in need of her.  She loved them.  But she could also hear what they could not.  When Jesus spoke about his coming death, she paid attention, while they seemed to disregard the things he was saying.  She knew that men like Herod could never let Jesus live, because he preached life, and they had dedicated themselves to a kind of living death.  Jesus would die.  She knew it as a certainty, that last night in Bethany.  And so she gave Mary the nard, the rich perfume that she had been carrying, secreted in her robes.  It was the last portion of the nard she had used at the burial of her husband, and of her three babies.  It was the scent that seemed to follow her always when she lived in Tiberias, that dead city.  She gave it to Mary and told her to wash Jesus’s feet with it, to prepare him for burial, because she did not know if, once Herod and his kind had seized him, she would ever see him again.

Now they are rushing through the jostling streets, towards Golgotha, the place of the skull.  There is a crowd ahead of them, lining the way.  People are jeering.  She sees Jesus.  She sees, first, the blood on his face.  There is a crown made of thorns wedged down across his temples.  The thorns have broken the skin of his brow.  Martha lets out a keening cry, and turns to Mary.  Mary takes her older sister in her arms and holds her.  But she doesn’t move her eyes away from Jesus’s face, and Joanna, watching, is amazed to still see the innocence there, the hope.

They follow him to Golgotha and stand for hours under the dense sun, as near to him as the guards will allow them to come.  Joanna finds herself surrounded by her brothers and sisters, the disciples and the women of Galilee.  They have all come, drifting out of the city, along the crowded streets, climbing the hideous hill and standing, leaning upon each other, watching, sometimes looking past Jesus to the pale, unforgiving sky.  Occasionally they mutter to themselves.  “I can’t believe it.  This cannot be.”  And when they mutter, a hand comes out of the crowd of disciples to rest on their shoulders, to encircle their waists.  Joanna thinks, ‘I could never bear this alone.  I couldn’t survive, if it was just me, standing here.’  And she remembers Jesus’s words the night before, when they were at supper together.  “Love one another.  As I have loved you, have love for one another.”

When it is finished, when he is dead, the soldiers lower him down from the cross and his followers break their cordon and go and stand beside him, looking down.  Thomas, who is fearless, kneels and takes a pliers and slowly pulls the nails from his wrists and ankles.  Mary releases Martha from her embrace and kneels and takes the crown of thorns from Jesus’s head.  She holds it for a moment, as if testing the sharpness of the thorns against the pads of her own fingers.  Then she lays it gently on the ground.  Joanna kneels beside Jesus, and finds that one of the women of Galilee has thought to bring water, and cloths.  She wipes the blood and dirt of the last days from his skin.  Around her there is weeping, but she doesn’t weep.  She doesn’t weep because Mary doesn’t weep.  Mary’s face is still quiet, her eyes still strangely hopeful.

Those eyes remain hopeful throughout the next day.  After Jesus has been carefully wrapped in burial cloths, after he has been lain, finally, in the tomb that Joseph of Arimathea has given them, Mary sits by the window of the upper room, the same room where they sat eating, only the night before.  The smell of nard is dense in the room.  The smell of burial.  They are all unclean.  Every one of the women who touched his body, every one of the disciples.  By Jewish law, they are all unclean.  But Joanna doesn’t feel as she did when she lived in Tiberias.  She doesn’t feel nauseous, as if she’s been walking on graves.  His skin was so innocent when they washed the blood away.  The harsh sunlight lay against it and it looked soft and smooth.  Not unclean at all, but strangely beautiful.  Mary even stooped to kiss it, to kiss Jesus on the wounds of his brow.

They sleep, each drifting off sometime after dusk.  Joanna sleeps.  When she awakes, it is morning, and someone is crying.  She looks around and sees that Mary is still by the window, and that her posture hasn’t changed, as if she’s been there all night.  She isn’t weeping.  It is the other Mary, Mary from Magdala, who has curled herself into a ball beside the door.  This Mary had seven demons, whom Jesus cast out.  For a moment, Joanna wonders if they’ve returned.  She half expects Mary Magdalene to start raving.  But she listens closely and understands that these aren’t tears of madness.  That they’re generous tears.  They express her own grief, and the grief of all the disciples, who are slowly waking, and looking at each other, bewildered.

Joanna goes to Mary Magdalene’s side.  She kneels beside her, and puts her hand on her rough, unwashed hair.  “Listen,” she says, “let’s go to him.  Let’s go to the garden, to the tomb.  Let’s take some spices.  We can anoint him.”

Mary Magdalene lifts her head and looks at her, and nods.  Some of the women stand to go with them.  Joanna stands and looks towards her Mary, Martha’s sister, who still sits in the window, looking out.  She wonders if she should ask her to come.  But something in her wants that hope to remain, an immovable, unimpeachable thing.  That hope seems to have aligned itself, fully and irrevocably to life.  And Joanna is going to look, one last time, upon death.

The early morning streets are nearly abandoned.  They walk quickly, because they are afraid.  The passover is finished, and now soldiers might come to round up the rest of the disciples.  The air still carries the charred sent of burnt lamb.

They pass out of the city, into the Garden of Gethsemane, the graveyard.  It is pretty for a graveyard.  Trees grow around the tombs.  There are trailing vines in the flower beds.  But even here they walk quickly.

Mary Magdalene is the first to see the tomb.  She stops and stares at it, and the other women look and see that the stone has been rolled away from it.  Joanna feels a catch in her throat.  She takes a step forward, and then another, and then she is running to the tomb.  She pauses at its entrance and stares down into its darkness.  There is a little flight of steps, and she must go down it.  Darkness seems to push in all around her.  She can feel the other women behind her, and wishes that she hadn’t gone first.  She steps onto the flat earth of the tomb floor, and is immediately aware that there is a presence there.  Someone shifts behind her and blocked light falls freely into the room.  There is a man, sitting to the right of where they laid Jesus, looking quietly at the place where they laid him.  The body is gone.

“Where is he?” Joanna says.

The young man raises his eyes to her face, and they are Mary’s eyes, calm and innocent.  “Do not be alarmed,” he says.  “You are looking for Jesus of Nazareth, who was crucified.  He has been raised: he is not here.”

Joanna stares.  She is breathless.  She can feel the hush in the women behind her.  She turns and looks towards the doorway, into the shaft of light.  And she thinks, at last, that she hears her infants’ cries.

Caiaphas

Night.  From the windows of his house, Joseph Caiaphas can sense how full the city is.  His view is obstructed by the courtyard’s wall, but he knows that if he were to go up to the roof he would see the campfires and candle light flickering from every house.  But more than sight, there is the sound of the city, a continuous drone of voices.  He listens for the sound of the temple within it.  It would be easier to hear during the daylight, when the workmen are building in the outer precincts and the Court of the Gentiles is full of milling people.  He can’t hear it now, but if he closes his eyes he can sense it.  The living heart of holiness, in the holiest city in the holiest land in the world.  He alone has entered the Holy of Holies during the last fifteen years, and then only once a year, on the Day of Atonement.  He alone has stood at the center of the universe during all of that time.

Annas, his father-in-law, stood there once, when he was high priest, before he was dismissed from the post.  It is a link that binds them.  Annas has known the presence of God, just as he has.  He turns from the window, goes to a table, and pours a cup of wine.  Annas has waylaid his prisoner this night.  The guards have taken the Galilean carpenter to Annas’s house first.  Why? Caiaphas wonders.  What does Annas want with him.  What special question does he have to ask that he thinks he couldn’t ask in front of the council.

A servant stirs in the corner, sensing his master’s annoyance.  Caiaphas beckons to him.  “Go to the gate and see if any of our guests have arrived.”  The servant bows and leaves the room.  Caiaphas returns to the window and looks towards the temple.

Something about the mood of the night, the quiet waiting, takes him back to when he was young, and stood by a window, looking out.  He had no focus for his anticipation, then.  It was general, just the feeling that something should happen – must happen – in the world.  Those were days of excitement.  Herod the Great was dead, and the people were rising up everywhere against Rome.  He remembers his father’s anger at the uprisings, his feeling that they threatened everything that the Sadducees had worked for, the precarious peace with Rome, the safety of the temple.  But Caiaphas had been young enough to thrill at the reports of peasants who declared themselves king, particularly the shepherd, Athronges, who fought the Romans in Judea with the help of his four brothers.  Caiaphas had wanted to leave Jerusalem, to slip out under the noses of the Roman legions who patrolled the city, and go and see this shepherd for himself.  He had thought, during those glimmering days, that it might be possible to hope.  He had stood by the window and pretended to himself that a few brave shepherds could vanquish the Roman legate and his Syrian troops.

When it was over, when peace was restored and crosses dotted the countryside, his father told him not to mourn for the crucified rebels.  His father took him to the temple and led him into the Court of the Israelites.  They gazed across the low stone wall that separated it from the Court of the Priests, and Caiaphas watched the priests move about the altar, where the perpetual fire burned.  Many of the priests’ arms were splattered with blood as they slaughtered and flayed the sacrificial animals, and the smell of the blood hung thick in the air.  But the priests moved slowly, prayerfully, with decorum.  They exuded a vast sense of peace, and it mingled with the scent of seared meat from the altar fire and lifted into the temple air.

“You see what they’re doing?” his father said.  “They are giving thanks to God.  They are remembering the covenant.  They will make sure that the fields are fertile, that the seasons come and go as they should.  It’s the sacrifice that Noah made after the Ark.  It’s because of this sacrifice that God keeps the covenant, and the world isn’t destroyed.  It is because of our work that Rome exists, that Babylon exists, that all of the peoples who live along the sea exist, that the world exists.  It is because of this work that we exist.  This place, this temple, it is the most important thing in the world.  Nothing can threaten it.  Do you know, son, how close it came to being destroyed this year?  You weren’t here when the Roman troops came into the temple.  You didn’t see the priests continue their work, even as the soldiers moved through the inner courtyards.  Those soldiers, with their swords bared, they didn’t understand.  They didn’t understand that the work we do here keeps them alive, keeps Rome alive, keeps the world alive.  We must keep it from danger.  And if that means that we must let Rome rule the land outside of the temple, so be it.  It doesn’t matter who rules Palestine.  It matters that the temple is safe.”

Two years later, Caiaphas was made a priest.  Twelve years after that, he was made high priest, and went further than his father ever had, entering the Holy of Holies by himself, standing within the very heart of the sacred.  The temple draws him.  It draws his attention during every moment of every day.  It is his lover, his hope, his life.  He is its steward.  He will keep it safe no matter what.  But standing by the window, he feels a strange sense of loss.  He thinks again of Athronges the shepherd and his four brothers and remembers what it was like to hope for something more than preservation, what it was like to be young.

His guests are coming in, but the sacrifice has yet to arrive.  Annas is delaying it.  Caiaphas pours wine for his guests, these men that he knows so well, fellow priests, fellow members of the Sanhedrin.  For fifteen years they have done what he’s asked of them.  He has sat with them for long hours and made rulings.  There are a few pharisees in the Sanhedrin, but none of them are here tonight.  He has summoned only those who he knows will agree with him.  He knows, and they know, that they have no real right to sit in judgment.  If they were to try the Galilean legally, it would have to be before the whole Sanhedrin.  But it is the night before the Passover, and the men of the Sanhedrin are preparing for the feast, and some of them don’t understand the full danger.  They don’t remember Anthronges the shepherd, or if they do, they don’t understand the threat that he posed.  Not because a single man and his brothers could ever overcome the Roman legions.  The threat wasn’t in their military might.  It was in their hope, and their capacity to spread that hope.  Caiaphas glances impatiently at the door.  He wants Annas to come in, leading the Galilean.  He is sure that when he looks into the Galilean’s eyes, he will see that hope.

At last Annas enters, smugly, pompously, as is his way.  He nods at Caiaphas, believing that it is his right to make the High Priest wait.  Behind him there is a jostling in the doorway.  Some Levites, dragging the Galilean behind them.  He is bound and looking at the floor.  The priests in the room fall silent.  They glance from Caiaphas to the carpenter, waiting.

Caiaphas doesn’t say anything.  He goes to the window and looks out.  There are people in his courtyard now.  They have lit a small fire.  The night is cold.  Caiaphas lifts his head and listens for the temple.  He sniffs the air, trying to catch the scent of the perpetual fire.  He smells the charring wood of the fire in his own courtyard, and wonders if it is enough of a sign.  Behind him, he can feel Annas’s impatience.  The stars are very clear tonight.  They are numerous, but he wonders if they are as numerous as the people who have come to the city for the passover.  The people who lined the roads a few days ago, declaring that the carpenter on his donkey was their king.  The crowd is full of fools, but they are his responsibility.  He will protect them, if he can.

He turns back to the room and finds that the carpenter has lifted his face and is looking into his eyes.  It’s not hope that Caiaphas sees there, but something else.  Something startling, and he glances at Annas, to see if his father-in-law has seen it, too.  But Annas has gone to the table with the wine and poured himself a cup and is slurping it impatiently.  Caiaphas looks back at the carpenter, and it is still there.  The silence in his eyes.  The quiet, waiting peace that Caiaphas has only experienced in one place, on the Day of Atonement these past fifteen years.  How did it get there? Caiaphas wonders.  How did this man come to have the Holy of Holies in his eyes.

The men are waiting.  Everything is decided, and there is very little to say.  Caiaphas clears his throat.  “You have done several things wrong,” he says to the carpenter.  He pauses, trying to remember what they were.  “You said you were our king…”

“I didn’t,” says the carpenter.

“You said that there is a resurrection…”

“I did.  But the Pharisees say the same.”

“You broke the law of Moses.”

“I fulfilled it.”

There is a hissing breath from the assembled men.  Caiaphas can’t look away from the carpenter’s eyes.  Annas finishes slurping his wine and puts the cup down.  “He said,” Annas tells Caiaphas, “that he would destroy the temple and raise it again in three days.”

Caiaphas’s eyes jerk away from the Galilean and back to the window.  “Destroy the temple,” he mutters.  Then he turns back and addresses the room.  “We have seen this before,” he says.  “Some peasant claims that he is king, and the people believe him.  The Roman legions march, the innocent suffer and die.  Which is better, to allow an insurrection, where many will die, or to have this man executed for his blasphemy?  Isn’t it better that one man die for the people than for the whole nation to perish?”  There are murmurs of agreement.  He has made this speech before.  They all agreed with him then.  Nothing has changed.  “We know what we must do,” he says.  “This man should be taken out and stoned.  But the Romans have claimed the right to perform executions.  We must send him to Pilate.”

He sleeps, after the men have left and the fire has gone out in the courtyard.  He dreams a single dream.  Nothing happens in the dream.  He is in the temple, in the Holy of Holies, in the eye of calm and peace.  He remains in it all through the night.  But when he wakes up, he is as shaken and afraid as if he had been having nightmares.

They must crucify the carpenter before sundown, before the start of the Passover feast.  Caiaphas must go to the temple, must fulfill his duties for the day.  Already his house is stirring, the servants at work preparing the feast.  But as he dresses he is stilled locked in the dream.  He is still in the Holy of Holies, and his active mind tries to shrink away from it.  For the first time he wonders what it would be like if that holiness could flow out into the entire world.  It would be too much for the world, he thinks.  It would be too dangerous.  Even now, he finds it suffocating.

A servant comes in with his breakfast.  He inquires after the Galilean and is told that Pilate has sent him to Herod, and that Herod has sent him back to Pilate, and that Pilate has condemned him.  They had a busy night, Caiaphas thinks to himself, as he washes his hands in a bowl of tepid water.  He sent members of the Sanhedrin to shadow the carpenter, to influence events when they needed influencing, to stir up the crowds and frighten Pilate if he needed frightening.  Now those same priests will be out among the crowds, whispering to them, twisting their opinions of the carpenter.

Caiaphas goes to the temple, his servants and retainers following in his train.  As he walks through the Court of the Gentiles, he can’t help glancing towards the platform where the Galilean has been sitting, these last five days.  The other platforms are filled.  There are always teachers who are anxious to claim a space, to sit and discourse to the people who settle at their feet.  But the Galilean’s platform remains empty, as if even the Pharisees are afraid of it, afraid of what’s being done now.  He glances at the position of the sun.  By now the carpenter should be on the way to Golgatha, like any common criminal.  Caiaphas brushes at a speck of dirt on his priestly robes.  He crosses the Court of the Women and is aware of a certain disease in his mind.  He can smell the sacrifice from the Court of the Priests, but he doesn’t feel the reassurance that he’s used to whenever he catches the scent of it.  Its as if something in the flavor of the smoke has changed.  He frowns and glances again at the sun, but it hasn’t moved in the sky.

The temple priests have already drawn their lots and discovered their assignments for the day.  He pauses inside the Court of the Israelites and watches them over the low wall.  All around him the temple, his temple, clicks through the mechanisms of its life.  He raises his eyes and looks past the altar, at the golden doors that lead to the Holy of Holies, the inner tabernacle.  His eyes study the woven pattern of the fine Babylonian tapestry that hangs from the door’s lintel.  He can’t shake the feeling that something is happening inside, at the heart of the universe.  He wishes that today was the Day of Atonement, and he could go inside.  He closes his eyes and tries to picture its interior, but all he can see is the Galilean’s eyes.  And he becomes suddenly and shockingly certain that the carpenter is inside the Holy of Holies, is standing there, as if he were high priest.  He shakes his head and opens his eyes and glances at the sun.  By now, surely, the man has been nailed to the cross and hoisted into the air.  He glances back at the tabernacle.  The temptation to go through its golden doors is suffocating.  He drops his gaze and watches the priests at the altar slaughter the animals.  He looks into the flames of the perpetual fire and waits, as he once waited at a window, allowing himself to indulge in hope.  But why does he need hope, now?  He is standing near the center of the universe.  He is watching men, his men, perpetuate humanity’s covenant with God.  Surely he is immersed in holiness.

Lazarus

He is still wrapped in burial clothes as he exits the tomb.  He sees the world come back to life around him through strips of cloth that are white and loosely woven.  The faces around him are ghostly, as if they were wrapped in gauze.  There is a one thick thread cutting across his vision.  It makes him think of Martha, his efficient sister, the spinner of competent threads.  As soon as he thinks of her, he hears her.  He hears her voice, saying his name, but there’s something odd about the way she says it – its choked with tears at either end.  “Lazarus.  Lazarus.”  And he hears Mary’s louder, more emotive weeping.  Hands are touching his face, pulling away the burial wrappings.  He wonders who it is, who could be brave enough to do it.

Once he found a dead man beside the road.  He dug a hole in the earth, yards away from where the body was lying, and even the act of digging made him feel a little sick.  He didn’t know if he could bring himself to touch the body.  It was unclean.  It would make him unclean for seven days, and he would have to purify himself with water on the third and seventh days.  But he knew that he couldn’t leave the man to the birds and the scavenging beasts, that it would be an act of charity, to touch the dead.

The person who touches him now isn’t concerned with uncleanliness.  Maybe it’s Martha or Mary.  They would be unclean already, from having had to prepare his body for burial.  But he doesn’t think so.  These hands feel different, somehow.  They don’t tremble or shake.  They aren’t the hands of someone who is weeping.  But when the gauze is pulled away, the first thing he sees is tears.  Tears against sun-weathered skin.  He concentrates on them because there is too much light.  It comes pouring in, drowning his vision and shifting even the tears out of focus.  But a voice speaks and he knows who has unwrapped him.  “Take off the grave clothes and let him go,” the voice says, and he feels other hands, touching his arms and shoulders, his waist and ankles, pulling away the bands of cloth.

Everyone wants to know what it was like to be in the grave.  Did he travel to the land of the dead?  Did he see their pallid faces?  They tell him that Sheol is a gray place, a place of wanting.  That the dead stand in pits with uplifted faces, that their faces look like they’ve been molded out of wet clay.  He tells them that he doesn’t remember what it was like to be dead, and he doesn’t.  But because of their stories, he begins to picture the faces as they say they should look, dark and gray and waiting.  He doesn’t remember sights or sounds, only a terrible numbness, and because of this, he imagines the faces as numb.  Not longing for anything, not waiting for anything, not looking at anything.  That is what he wants to forget.

He never wants to feel that numbness again.  When he is entirely unwrapped, he sits by himself on a stone and looks at the sunlight on the skin of his arm.  His sisters cleaned him well before burying him.  His skin looks virgin, like an infant’s skin, pale brown in the heavy sun.  He lifts his eyes and watches the way in which the sunlight makes dense shadows fall from rocks and feet and scrub bushes.  Heavy shadows against the light tan ground.  People are pressing food at him.  He sees white dust against the sheen of grape skins, and flour dusting flat pieces of bread.  He isn’t ready to eat yet.  He’s surprised that they’re not afraid of him, that they’re not standing at a distance, but pressing close, and he knows that it is because of Jesus.  If he had come walking from his grave under his own power, he would have been accursed.  Children would have run from him, women would have screamed and fled.  It’s because they know the reason for his new life that they want to touch his bare arms, to press cups of watered wine into his thin hands.

But he feels the fear that they seem incapable of.  He looks for Jesus’s face in the crowd, but he sees Mary first, moving along the fringe of the press of people.  He tries to stand.  Immediately Martha is by his side, asserting order.  “He doesn’t want the food,” she says.  “Thank you, but he doesn’t want it.  Give him room.”  They stand aside for him, although some can’t keep themselves from reaching out to touch him.  Martha walks beside him, echoing his slow step, but she doesn’t touch him, and he realizes that she feels the way he feels, afraid and uncertain of the miracle.  Mary’s face bobs up in front of them.  She is smiling and holding a crown of flowers.  He gasps when he sees it.  Tiny flowers with open faces, white and red.  She lifts it to put it on him, but he jerks his head away.

Then Jesus is there, taking his hand.  His grip is strong and leading, and as they walk he keeps his face down, as if his mind is elsewhere.  His eyes are unfocused,  as if unaware of the adulation of the crowd.  The crowd keeps gathering.  Children run through its fringes.  All of Bethany has come out into the street.

Then they are ducking through a doorway, entering a cool, shadowy room, and he looks up and understands that he is home.  Martha has gotten there ahead of them, and is already laying out a clean tunic for him.  She has taken it out of a trunk, and he realizes that she has packed away all of his possessions, that her efficiency emptied the house of him, even as she mourned.  He sits on a carpet and Jesus sits beside him.  The other disciples crowd in.  Light falls into the room from a high window, and he remembers being a boy and standing on top of stacked boxes to gaze out of that window.  Nothing had been preventing him from going outside, but he had wanted to see the world from the window, to see if it looked different from that vantage point.  He eats food when Jesus hands it to him.  He glances at the faces of the disciples, and sees their wonderment, and realizes that now he is different to them, that he won’t be able to just sit and listen and be part of the crowd.  “He wept for you,” Andrew tells him, and that fact seems as amazing to Andrew as the resurrection itself.  Lazarus turns and looks at Jesus, who has raised his head and is listening to the sounds of the crowd through the open window.  And Lazarus thinks, ‘I didn’t know that he loved me that much.  That he would weep for me.’

He finds that he can’t stand to be far from Jesus’s side.  Thomas implies that the world is dangerous for him now in a way that it wasn’t before.  “The pharisees are talking about you to the chief priests,” he says, and smiles, because Thomas wants a fight with the pharisees as soon as possible.  But Lazarus isn’t worried about the danger.  He is trying to understand why Jesus raised him, and why Jesus wept.

He asks Martha about it and she says, “He was late in coming here.  We sent word to him when you got sick.  You remember that, don’t you?  Do you remember how we waited, how we prayed that he would come?  But he didn’t.  They say that he told the disciples that God would be glorified through you.”  And now Martha’s hands begin to shake as she straightens the room.  “And He is, Lazarus.  Your being here is a sign from God.”

He wakes in the night and hears the disciples talking.  Word has reached them that the Sanhedrin has met, and that Caiaphas and the other chief priests are planning to murder Jesus.  Jesus sits quietly and looks at the ground.  He lets them talk.  He lets them make decisions.  They will go the Ephraim, where they can hide and be safe.  Lazarus wants to go with them.  He knows that he will always be safe when he’s in Jesus’s company, near to Jesus’s love.  Martha wants him to stay.  Mary wants to go with him.  He goes, and Mary stays.

He is always by Jesus’s side.  When he feels nervous, he reaches out and touches Jesus’s clothing.  He thinks that he can remember more of what it was like to die.  That gradual unmooring, that slipping away.  He wants Jesus to anchor him to this world.  But Jesus’s gaze lifts to more distant horizons.  It is a dark time in Ephraim.  The winter is long.  There are only twelve hours of daylight.  The Passover is growing near.

Six days before the feast in Jerusalem, Jesus tells the disciples that they are going back to Bethany.  He says it while looking at Lazarus, giving him a little smile, as if Bethany still means anything to Lazarus, as if he cares about any particular place.  He doesn’t care about Bethany.  Its safety, its familiarity, are empty things to him now.  Only in Jesus is there safety.  He’s sure of it.  Jesus will keep him safe.  Jesus cried for him, and raised him from the grave.  The disciples murmur and worry, afraid that Jesus will suffer in Jerusalem.  But Lazarus knows that he won’t.  Jesus will keep himself safe out of love of Lazarus.  He will keep himself safe so that he can keep Lazarus safe.

They return to Bethany in the late afternoon, and it is as if Martha and Mary have been expecting them.  Perhaps Jesus told them that he would come back on this day.  Martha has prepared a feast, and Mary flits around the room, speaking quietly to the disciples, a secretive smile on her face.  They recline on rugs to eat, sharing the dishes that Martha has made, splitting the bread between them.  Near the end of the meal Mary emerges from the shadows, carrying a small box.  She kneels in front of Jesus and he watches her quietly, waiting.  Lazarus reaches out and touches his sleeve, hoping to have a share in his sense of calm, his obvious peace.  She opens the box and, smiling, turns it over.  Oil washes out of it and over Jesus’s feet.  The smell of nard fills the house.  Lazarus gasps with the others.  Where did she get it?  Nothing of its value has ever been in the house.  She bends over his feet and begins to move her hair back and forth, taking it in her hands, scrubbing at his skin with it, and the oil shines on her dark locks.

Judas is angry.  “Gifts like that should be sold,” he says.

But Jesus says, “Leave her alone.  It was intended that she should save this perfume for the day of my burial.”

Lazarus feels his breath go out of him.  The day of Jesus’s burial?  Is this it?  He glances quickly around at the shadows, looking for assassins.  But then he catches Jesus’s eye, and sees Jesus’s reassuring smile.  ‘No,’ that smile says.  ‘Do not be afraid.  I am with you.’  And Lazarus relaxes, reassured.  Jesus won’t die.  And if he won’t die, then Lazarus won’t die.  He will be kept safe.

There are crowds gathering outside of the house.  Thomas reminds the people inside that crowds mean danger.  There are spies from the Sanhedrin in those crowds.  Jesus turns to Andrew and Philip and gives them special instructions.  They leave, carrying the smell of nard with them into the night.

Its scent follows all of them when they leave the house in the morning.  Andrew and Philip are waiting in the predawn light.  Andrew holds the bridle of a young colt.  The crowd hasn’t dissipated in the night.  They are sleeping on the ground, leaning against the walls of the houses.  They stir and begin to stand as Jesus emerges.  He places a hand on Lazarus’s shoulder and steadies himself as he swings up onto the back of the colt.  Andrew hands the bridle to Lazarus.  The smell of nard dissipates slowly in the cool air as they walk towards Jerusalem.  It spreads out among the crowds who walk and murmur beside them.

As they come nearer to the city, the crowds grow and line the way.  People are carrying palm branches, waving them in the air.  They shout loud hosannas.  Their faces are strange to Lazarus.  Everywhere he looks, people have their faces raised and are staring up at Jesus.  Small children have climbed into the trees.  Lazarus clutches the bridle.  It’s alive in his hand, connecting him to Jesus on the colt.

Philip is walking beside him.  “Why are they all here?” he whispers.

Philip looks at him strangely.  “Because of you,” he says.  “Because they heard that he raised you.”

‘But,’ Lazarus thinks, ‘I don’t want them here.  This isn’t for them.  This is only for us, for those who really love him.’

Jesus spends the day sitting on a raised platform in the Court of the Gentiles, teaching.  Lazarus stands by his side, watching the faces of the people who come to speak with him.  He feels them pressing all around the cluster of disciples.  He feels their weight on his shoulders.  He feels bound by it, as rigidly bound as he was when he first came from the grave.  He doesn’t know how Jesus can bear it.  When he feels the weight grow to much, he reaches out and touches Jesus’s shoulder.  And the weight lifts, the smell of nard comes back into his nostrils.

At the end of the day, Jesus goes off by himself.  Lazarus follows and sits at a distance.  He watches Jesus kneel and pray, and he sees the tiredness of Jesus’s face, and knows that Jesus, too, bore the weight of the pressing crowds.  But as he prays, the weight seems to lift, the tiredness to lighten and fade.  And the next day he is back with the crowds, speaking and listening to them, walking about the temple.  He argues with scribes and pharisees when they approach, but always gently, as if more saddened by their arguments then angered by them.  This goes on for three days.

On the day before the passover, Jesus leads his followers into the upper room of a house.  The wind brings the scent of seared lamb from the temple.  Mary and Martha are there, and so are Joanna and Mary Magdalene and the women of Galilee.  The disciples are there, and others, old followers and new people who have been beside him in the temple these last few days.  Jesus reclines on a rough rug, eating from a small table.  Lazarus reclines beside him, and tries to eat when he eats, to dip his bread into the same small bowl of oil.  Jesus begins to talk, telling those who are nearest to him that one of them will betray him.  Lazarus stares at his face, and then stares past him, to Peter’s stricken eyes.  Peter lifts his hand and gestures to Lazarus, and Lazarus understand.

“Who will betray you, Lord?” he asks.

Jesus mutters, so that only Lazarus can hear.  “The one who I hand this bread to, after I’ve dipped it in this dish.”  Then he reaches out, dips the bread, and hands it to Judas of Iscariot, who smiles as he accepts it, thinking that its a sign of special favor.  “Do what you have planned to do,” Jesus tells him, and Judas’s eyes change.  His face looses all expression, and he stands and leaves the room.  Lazarus stares after him.

Before Lazarus can act, before he can stand and follow Judas and prevent whatever he is planning to do, Jesus begins to speak.  He talks about where he is going and what will happen to him.  Lazarus wants to look away from the utter calm on Jesus’s face.  He feels a gauze across his vision, and realizes that it is his own tears.  He watches Jesus and sees his eyes scan the room, resting on every face.  Spending the same time studying features, looking into eyes, the same time on every face.  “Before long,” Jesus says, “the world will not see me anymore, but you will see me.  Because I live, you also will live.”  But Lazarus understands that Jesus is talking about his death.  That the dark time in Ephraim has come to stay.  He still smells the nard, but understands now that it is the smell of loss, a perfume made from the death of flowers.

“How can this be?” he wonders.  “How can this be?”  He watches Jesus look into every face, and realizes that he is not the only disciple that Jesus loves.  That they are all beloved, every one.  He looks towards the window.  The smell of sacrificial meat pours through it, invading the room.  It is met by the scent of nard.  The scent of nard pushes past it, overcomes it, and flows out into the city.  As if the weeping of Jesus was for all of them, not just for Lazarus.  As if the miracle of Lazarus’s resurrection was a universal miracle.  As if he, whom Jesus loves, is meant to represent everything there is, the whole world.